botanics: earth studies comprise of a series of studies made on japanese plywood panels. 
The overarching project  titled neither here nor there, contemplates the mythology of Scottish landscapes, and  charts my yearning to return to a homeland that exists solely through distant memories of  childhood and  local folklore. Gathering detritus whilst walking the landscape of  Angus (known as the birthplace of Scotland), I pieced together magical objects through 3d scan techniques and printmaking. Using  the discarded and mundane in areas of dereliction and decay I discovered beauty.